"ANATOLIA 2010 Global Intermedia" as a project for triangleproject.blogspot.com

covers the activities of http://newmediakitchen.com, all the possible
interactivities to be experienced, realized and enhanced within the programs that will be launched in multi media during http://triangleproject.blogspot.com events along 10. Istanbul Biennial

http://www.myspace.com/studioquantum http://www.newmediakitchen.com

A collaboration between dancers, visual artists, sound artists, music. Visuals will be shown by several of the Triangle Projects artists.

this tentative work program for the sound presentations of teoman madra on 10/9/07 13.00-21.00 for video projections, performances, different dances and events within new media art themes today

www.triangleproject.blogspot.com As quite a sizable installation of random new musics today selections and of interwoven experimental photographic archive nmk visuals this project had much encouraging support from a good number composers that willingly participated to the collection of this experimental venture of teoman madra... Upon an occasional request from pianist-composer basak dilara özdemir, she has contributed ample occasions of actual, decided advisory supports along theon going preparations of this installation.

the video projections plans 10.9.07 in the hall throughout 5 separate monitor destinations >>

 

13.00-14.00 morton feldman plays 'flutes and piano from christian wolff', frederick.rzevski plays music for piano christian wolff, fontanamix jcage - sofia gubaydalina - (synesthesia)music of changes buch 8 j cage, kumsalda ilhan usmanbas, electronic music 31' karl heinz essl , piano triplet 13'09" ilhan usmanbas, ali dogan sinangil improvisations -excerpt-, one j cage , willisau concert 13'36" cecil taylor

early nmk avant garde works: A- AMM concert recording 1990 where ilhan usmanbas composition was played, cornelius cardew and in person -piano- john tilbury 20' )B- multi media clips 7', john zorn concert 1995 with amiga signals, video clip for sun ra in istanbul 1990, bülent arel 1991 mimiana videos with amiga TM animations 2 excerpts "on mondrian broadway images 5'49", 3'55", dusseldorf malkasten 2005 concert dvd 58'45", 4th borusan mediterranean countries new music days teoman madra "borusan multi media show" 2 parts total #60'

14.00-15.00 mete sakpinar triplet 18.00 ilhan mimaroglu bleakers, last largo 17', singme a songme -freddie hubbard IM 17' orastae 6' xenakis - ars aec track11 5' -ishak excrpt 6' mehmet nemutlu, peridrom 13'44" tolga yayalar, tolga tüzün/galata performans -live show- 7', walls excrpts 6' j cage - reflections 6' ilhan mimaroglu, aggregates 6'25" alper maral - sonata 12 5' pierre boulez - sacchiacobes (electronic music) 6' - die tat (electronic music) 11'20" zeynep gedizlioglu ,
meral güneyman plays webern- 5'42", franco donatini piano 12" ,

15.00-16.00 violadigitalis/strýng4tet mete sakpinar/zeynep gedizlioglu15.00, dialogo a tre 10' zeynep gedizlioglu, differences and tones -robert reigle/track from 2006 prix ars.aec cd 11.00
designersonwards strings strange SUNRA 1966 12.00 pentagramme2 metin ülkü
plays zeynep gedizlioglu 12.00, gyorgy kurtag, , erroll garner, die tat z gedizlioglu, idil biret 25'

16.00-17.00 transit days 2007 17.00 (a serial of dance videos),andreas neumann -notebook music, once upon a and water -twice- from metesakpinar for the dance of esra yurttut 12.00 esra yurttut will dance live on and around these her earlier dances and other live concerts from iu conservatory mete sakpinar master class students, oguz büyükberber-mete-kaffee mathews 18', gyorgy kurtag, , erroll garner, die tat zeynep gedizlioglu, idil biret-ilhanmimaroglu archive- 25' , 1991 AMM istanbul concert with cornelius cardew 20' excerpt t madra archive, -various live performances- hale birgül, huma birgül and can tatliparmak (bathroom music on christian wolff script)-frozen tears 4' marco oppedisano - excerpt from nmk goethe institute 2002 show -all with amiga computer tmadra animations 19'28"

17.00-18.00 arto sabuncuyan/oguz buyukberber 3.40+7.20, the other you
2.00+anthony braxton plays cage style 7.00 +double music jcage by lou harrison 5.00+four walls john cage 4.00, yol zgedizlioglu 8.00, sound text 20.00, zorn to coltrane 15',19.00-20.00 multi media concert30' : "improvisations from islak kopek+ teoman madra, string 4tet 2006 of ilhan usmanbas 11'58", visby -extended- mete sakpinar 12.00, 123 video with three composer andante-ali dogan sinangil 3'15, prelude no.20 ilhan mimaroglu, excerpt from derek bailey 4'40", piano piece of basak dilara özdemir, unequal equations 13' zeynep gedizlioglu, string 4tet no.2 "susma" -performed by ARDITTI quartet (2007) zeynep gedizlioglu

18.00 - 19.00 islak kopek -wet dog- concert + teoman madra 2 with ozan akinci as live VJ special gridpro applied new video animations

19.00 - 20.00live dance from talin buyukkurkciyan and joanna nobbe will do live dance -with live music by Jose Blasco -guitar- can tatliparmak on the -trompet- etc, live camera projections of teoman madra, powerpoint visuals and animations will be projected as teoman madra multi media interventions just around the moving choreography of the project and a large number of mega teograms inkjet prints on the "HALL" stone walls.

20 random selections from www.newmediakitchen archive videos for "ANATOLIA
2010 global intermedia" intervention for www.triangleproject.blogspot.com for
THE HALL screening programs during 10. Istanbul Biennale 2007


john cage, ligeti, morton feldman, christian wolff, lou harrison, pierre boulez, franco donattoni, zeynep gedizlioglu, islakköpek at galataperformans, -alper maral, mete sakpinar, ali dogan sinangil, ilhan usmanbas, ilhan mimaroglu, cecil taylor, esra yurttut. marco oppedisano, tolga yayalar,batur sönmez, sunra, don cherry, charlie parker, new order, tolga tüzün, ali perret, korhan erel,robert reagle, david murray, anthony braxton, oguz büyükberber, talin buyukkurciyan, jose, joanna, can tatliparmak, bdilara özdemir, koray sazli, basak dilara özdemir, esra yurttut etc

güncel müzik örnekleri proje seçmeleri / nmk soundart project archive 2007

bülent arel mimiana 11' excerpts 3'47", 5'50" 1991

ilhan usmanbas 11'50" string quartet -2006-

andreas neumann -notebook music,

singme a songmy 18' ilhan mimaroglu,

fontana mix excerpt 10'j cage,

string quartet 2003 7' zeynep gedizlioglu,

pentagramme2 -metin ülkü- 12' zg,

designers onward 14'22" sunra 1966 strange strings,

mete sakpinar triplet 18',

islak köpek 31'galataperformans ta konser turbo2,

christian wolff piano için müzik -frederick rzevski, 14'

christian wolff flute and piano -morton feldman 21'

ilhan usmanbas 13'9"piano üçlemesi,

karl heinz essl 31' electronic music concert,

dying ceremony 8'28" ali perret,

alidogan sinangil 7'.10" improvisations,

mete sakpinar once upon a and water 11' from esra yurttut,

123 video for 3 different music

-ali dogan sinangil 3'15" andante 1966-, ilhan mimaroglu 3.10" prelude no. .20, derek bailey 4'40",

batur sönmez 8'49" , batur sönmez 15'30",

dialogo a tre 10'15"

visby 4'20" mete sakpinar

airy tales 3'55" mete sakpinar

tolga tüzün show at galata performnace 7'

david murray svcd

anthony braxton clip 4'5"

 

differences of tones -robert reigle- 5', prix ars aec experimental musics 6' ,

theotherofyou 3', anthony braxton on cage music 8'

artosabunciyan 3'53" and oguz büyükberber 7'18"

-meralgüneyman plays webern- 5'42", franco donatini piano 12"

4walls john cage 4' and ilhan mimaroglu reflexions 7'40',

kirschner and ligeti,

oguz buyukberber-mete sakpinar-kaffee mathews 18',

john zorn to coltrane

andreas neumann -notebook music,

zorn to coltrane 15'

ertunç, mimaroglu, john cage

ali dogan sinangil and john cage double music lou harrison

 

 

 

gyorgy kurtag, , erroll garner, die tat z gedizlioglu, idil biret 25'

aggregates 5'50", sonata 12 boulez, sachicobes - die dat zg

yol 8' zg, korhan erel 4' con-structure, P415 alper maral 22'40"

lost generation ali perret, difference of tones robert reigle, bleakers street ilhan mimaroglu, counter value mete sakpinar

boulez-piano, stockhausen-klavier, ligeti, sound ligeti, cecil taylor 23

ali dogan sinangil 20' - lou harrison double music j cage 5'

aggregates -alper maral 5'26", perret 5'43", sleepsongs 3'37", 3'38" ilhanmimaroglu , untitled 1'34" im, piece for piano 0'40" meral güneyman

airy tales metessakpinar, double music j cage -louharrison , four walls j cage

 

 

 

batur sönmez music-teoman madra amiga animations - 2003 8'42" batursönmez-teoman madra -amiga animations- 2 2003 malkent.dusseldorf kunstverein show 15 may-26 june 2005 multimedia concert of yapi kredi kültür in turkcell-tunel excerpts, roxy gösterisi, roxy cultura 2005 -özel derleme sanatçi kopyasý1.borusan gösterisi , 4.akdeniz güncel müzikborusan konseri 2006 1.part+2nd part AMM contemporary music in Istanbul from cornelius cardew 1990, round table meeting google video by jeremy turner

newmediakitchen.com is a website of many years having an interest on new media art making and experimentations... new images figurative or in abstractions specifically the latter ones, i rather decided to call them at this project "teograms" as a retrospective nomenclature... and for a long period of time i tried to place my visuals in accordance to new musics, modern or avangtarde jazz, composed new musics, computer based musical creativities will be tried to get closely inspected with macro installation setups, round about and carefully trying to approache as cool and open minded as possible... in the meantime throughout the triangleproject interactivities as a visual artist next to music i will continue to emphasize my own choices... for many reasons i will try to include few extra random works from ilhan mimaroglu b 1921.with my special respects for him and a distant interest on what he did during 70's, 80's. Here, from his small hand sized booklet that he published in 2004 from panyayinlari openly he is blurbing as follows:

with new music a kind of nationalism can come into scene, but not with quarrels saying in a sort of perverse robinhoodery -stealing from the poor giving to the rich- nationalist
alternative is no way ... with a nice restpectful guidance to Ives music i wanted to say Ives' music was like a new wave in musical nationalism -very individual and unique maybe, hence not repeatable, quite opposite to stereotyped and sterile nationalism of the conventional nationalist approaches to musical creativity

would you like to speak on behalf of the record history... is your soul marketable? if not, it is better to remain a composer... the con temporary composer refuses to die ... let us
recognize that are to get us. -performers who do not perform our music, -recitalists,
chamber ensembles and conducters, symphony orkestras, -publishers who do not publish
our musics, -record companies who do not record our m usics....when i say this country is
bad, don't think other countries are any better... This whole country is a cultural graveyard...
actually our musics don't sell, so it will net sell the music that does not sell... if art is not for the public, the inversion goes... if it is not for the public it is not art... a work of art has not value other than what we assign to it, what i like is good, no exception what thers like is bad... some exceptions -that is hardcore aesthetics.... calling a judge justice is like calling an artist a masterpiece..... ilhan mimaroglu lives in newyork as composer
comments: john cage said if it is boring for 2 minutes try it for 4, you may change your idea.... mehmet nemutlu wrote: Teoman Madra's art, which could best be defined as "how to make multi media installations on contemporary music" as an attempt... Music being basically an art form for sounds, for sound articulations only, when visualities enter into her close intimacies one suddenly might worry in a way..
Madra's works go into the pursuit of the musics in one to one and transforms it. In a way, he enters between the music and the audience. If anybody would like to see the interpreters, he hides them, as if behind a curtain. The strongly hypnotizing visuals, produced and evolved through his own inner logic, stable or in animation but always surely ephemere as designs, voluminous traces, photographs, lights being all over the scene pull us away us off from the interpreters' visions, and in a weird and unexpexted manner, focus us right on the top of the musics insinuating own narrations.

Basak Dilara Ozdemir said: Teoman Madra is a multi artist who witnessed all the evolutions of the contemporary art. He tries to be "heard " by new generations as well as he tries to break the boundaries of the contemporary art today in Istanbul and in the world. The history of the Madra-ian language goes back to 1960_s by his irresistible interest in art through music, paintings and photography.Today, he creates short animations,photography oriented animated works and their combinations with the contemporary music that are so called "Teograms" by himself. He likes to combine his works and interact them with a great variety of music from different composers from different backgrounds. Madra offers us a great variety of works in his Madra-ian language and takes us into a journey towards the "no man's land".The journey is so enchanted with different cultures, backgrounds, colours that takes us from yesterday towards tomorrow and we keep wondering in the no man's land without boundaries. He enlightens us with the powerful magic transformation of interdisciplinary contemporary art today and that is a must for those who haven't experienced such an unique art interactivity.

zeynep gedizlioglu said:

The animated visuals and the musics chosen in Teoman Madra's videos, do not try to become each others forced extensions, and they exist unitemporal and at ease. They neither support each other nor they curtain with any anti effect. Furthermore, within the mild creativity of Madra, putting them next to each other, the viewer without being forced in any way, seizes the relationships between the sounds and the visuals and focus on it. Thus, we are being faced with a new reality created out of Teoman Madra's sound and visuals pluralities

random j cage quotations from SILENCE >>